To What Does the Word Movement in Music Normally Refer
The discussion "baroque" has at various times meant all of the following except
naturalistic
Modern historians use the term "bizarre" to bespeak
a item style in the arts
All of the following were baroque painters except
Isaac Newton
Bizarre painters exploited their materials to aggrandize the potential of ____ to create totally structured worlds.
All answers are correct: color, decoration and detail, depth
Baroque style flourished in music during the flow
1600-1750
The baroque, as a stylistic menstruum in western fine art music, encompassed the years
1600-1750
The 2 giants of baroque composition were George Frideric Handel and
Johann Sebastian Bach
All of the following were major baroque composers except
Wolfgang A. Mozart
Which of the following statements is not true?
A. Baroque art is a complex mixture of rationalism, sensuality, materialism and spirituality.
B. The late bizarre menstruation was one of the most revolutionary periods in music history.
C. Early baroque composers favored homophonic texture over the polyphonic texture typical of Renaissance music.
D. Regardless of form, baroque music features contrasts betwixt bodies of audio.
B. The tardily bizarre period was 1 of the most revolutionary periods in music history.
One of the most revolutionary periods in music history was the
early baroque
The early bizarre was characterized by
homophonic texture
The early baroque period spanned the years
1600-1640
Monteverdi, an early bizarre composer, strove to create music that was
passionate and dramatic
The early on and late baroque periods differed in that composers in the early baroque
favored homophonic texture
The middle baroque was characterized by
a improvidence of the way into every corner of Europe
The middle baroque period spanned the years
1640-1690
Composers in the heart bizarre phase favored writing compositions for instruments of the ________ family.
violin
By nigh _______, major or minor scales were the tonal basis of near compositions.
1680
Instrumental music became every bit important as vocal music for the first time in the ________ period.
belatedly bizarre
The late bizarre period spanned the years
1690-1750
Affections in baroque usage refers to
emotional states or moods of music
A baroque musical composition commonly expresses _________ within the same movement.
1 basic mood
The bizarre principle of _______ may exist temporarily suspended in song music when desperate changes of emotion in a text inspires corresponding changes in the music.
unity of mood
The compelling drive and energy in baroque music are commonly provided by
repeated rhythmic patterns
Bizarre melodies often are
elaborate and ornamental
Baroque melodies requite the impression of
dynamic expansion
Melodic sequence refers to
the successive repetition of a musical idea at higher or lower pitches
A characteristic often found in baroque melodies is
a brusk opening phrase followed by a longer phrase with an unbroken flow of rapid notes
Terraced dynamics refers to
the sudden alteration from 1 dynamic level to another
In the baroque era, dynamics consisted mainly of sudden alterations between loud and soft called
terraced dynamics
The master keyboard instruments of the baroque period were the organ and the
harpsichord
A pop keyboard instrument in which audio was produced by means of brass blades hitting the strings was the
clavichord
The about characteristic feature of baroque music is its use of
basso continuo
A bass part together with numbers (figures) that specify the chords to be played above it is chosen
basso continuo
The orchestra evolved during the baroque period into a performing group based on instruments of the ________ family.
violin
The word "movement" in music normally refers to
a piece that sounds fairly complete and contained but is role of a larger composition
Which of the following statements is non true?
A. A large courrt during the bizarre catamenia might employ more than than 80 performers, including the finest opera singers of the day.
B. Audiences in the bizarre period were most anxious to hear former familiar favorites, and did non care for new music.
C. In Italy, music schools were oftentimes connected with orphanages.
D. Church musicians in the baroque menstruum earned lower pay and had less status than court musicians.
B. Audiences in the baroque flow were most anxious to hear old familiar favorites, and did not intendance for new music.
A large court during the bizarre period might employ about ________ performers.
80
The music manager of a baroque court was normally not responsible for
publicity in reaching an audience
Frederick the Great, king of Prussia, was a
All answers are right: flutist, general, composer
The position of the composer during the baroque period was that of
a loftier-class servant with few personal rights
In the baroque menstruation, the ordinary denizen's opportunities for hearing music usually came from the
church building
In Italian republic, music schools were frequently connected with
orphanages
To get a task, a musician had to
laissez passer a difficult test
A concerto grosso most often has ______ movement(s).
three
The large group of players in a concerto grosso is known every bit the
tutti
The concerto grosso most oftentimes has iii movements whose tempo markings are
fast, dull, fast
The first and last movements of the concerto grosso are frequently in _____ form.
ritornello
Which of the post-obit statements are not truthful?
A. A concerto grosso normally involves two to four soloists, and anywhere from eight to twenty or more musicians for the tutti.
B. A concerto grosso persents a contrast of texture between the tutti and the soloists, who assert their individuality and appeal for attention through brilliant and fanciful melodic lines.
C. A concerto grosso normally involves a large group of soloists accompanied past an equal number of supporting players.
D. The beginning and last movements of a concerto grossi are often in ritornello grade, a form that features the amending between tutti and solo selections.
C. A concerto grosso normally involves a large group of soloists accompanied by an equal number of supporting players.
The solo instruments in Bach's Brandenburg Concerto No. 5 are the _______, violin and harpsichord.
flute
Bach's Brandenburg Concerto No. 5 is unusual in that
it gives a solo role to the harpsichord
A musical decoration consisting of the rapid amending of ii tones that are a whole of one-half step apart is a
trill
A polyphonic composition based on one main theme is the
fugue
The main theme of a fugue is called the
subject area
When the discipline of a fugue is presented in the dominant scale, it is called the
answer
In many figures, the subject in one voice is constantly accompanied in another voice by a different melodic thought called a(north)
countersubject
Transitional sections of a fugue that offer either new textile or fragments of the subject or countersubject are called
episodes
________ is a musical procedure in which a fugue subject is imitated earlier it is completed.
stretto
A _______ is a single tone, commonly in the bass, that is held while the other voices produce a series of changing harmonies against it.
pedal point
Turning the bailiwick of a fugue upside down, or reversing the management of each interval, is called
inversion
Presenting the subject of a fugue from right to left, or offset with the final and proceeding astern to the beginning notation, is called
retrograde
Presenting the subject of a fugue in diffuse time values is chosen
augmentation
Presenting the subject of a fugue in shortened fourth dimension values is chosen
diminution
Very often an independent fugue is introduced by a short piece called a(n)
prelude
An _________ is a play, set to music, sung to orchestral accompaniment, with scenery, costumes and action.
opera
The text, or volume, of a musical dramatic work is called the
libretto
Which of the following statements is not true?
A. The terms ensemble and chorus are synonymous.
B. Vocalization categories in opera are divided more finely than in other musical genres.
C. Operas may contain spoken dialogue, but most are sung entirely.
D. Opera soloists must create a broad diverseness of characters, and and then need acting skills too as vocal artistry.
A. The terms ensemble and chorus are synonymous.
A song for solo vocalisation with orchestral accompaniment is called a/an
aria
________ refers to a vocal line that imitates the rhythms and pitch fluctuations of speech.
recitative
A _________ is a vocalist with a depression range who usually takes comic roles.
basso buffo
A _________ is a singer with a very low range and powerful voice, who usually takes roles calling for great dignity.
basso profundo
A(n) _________ is a musical number for two solo voices with orchestral accessory.
duet
A(n) ___________ is an operatic number involving three or more leading singers.
ensemble
The ____________ is the person who beats time, indicates expression, cues in musicians, and controls the residual amidst instruments and voices.
conductor
An ____________ is an orchestral composition performed before the curtain rises on a dramatic work.
overture
Members of the Camerata wanted to create a new vocal manner based on the
music of the ancient Greek tragedies
The members of the Camerata wanted the vocal line of their music to follow
the rhythms and pitch fluctuations of speech
Near early on baroque operas were based on Greek mythology and
ancient history
Which of the following statements are not true?
A. Most early bizarre operas were based on Greek mythology and ancient history.
B. The members of the Florentine Camerata based their theories on actual dramatic music that had come down to them from the Greeks.
C. The members of the Florentine Camerata wanted to create a new vocal style modeled on the music of ancient Greek tragedy.
D. Polyphonic was rejected by the members of the Florentine Camerata because different words sounding simultaneously would obscure the text.
B. The members of the Florentine Camerata based their theories on bodily dramatic music that had come down to them from the Greeks.
The first opera house in Europe to offering entry to anyone with the price of access opened in 1637 in
Venice
The earliest opera that has been preserved is Jacopo Peri's
Euridice
The stage machinery of bizarre opera
bordered on the colossal
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Source: https://artscolumbia.org/music-appreciation-test-2-study-guide-7407/
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